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Classic female blues was an early form of blues music, popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues . Classic blues were performed by female singers accompanied by pianists or small jazz ensembles and were the first blues to be recorded.
All Music Guide to the Blues: The Definitive Guide to the Blues. San Francisco, California: Backbeat Books. ISBN 0-87930-736-6. Harrison, Daphne Duval (1990). Black Pearls: Blues Queens of the 1920s. New Brunswick and London: Rutgers. ISBN 0-8135-1280-8. Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray.
Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) [1] was an American blues singer, pianist, and entertainer during the Harlem Renaissance.. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer.
Blues musicians are musical artists who are primarily recognized as writing, performing, and recording blues music. [1] They come from different eras and include styles such as ragtime - vaudeville , Delta and country blues , and urban styles from Chicago and the West Coast . [ 2 ]
Lucille Bogan (née Anderson; April 1, 1897 – August 10, 1948) [1] was an American classic female blues singer and songwriter, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson.
Send Me to the 'Lectric Chair" is a late-1920s blues song written by composer George Brooks and made famous by Bessie Smith. [ 1 ] [ 2 ] In the song, a female narrator confesses the murder of a deceitful lover [ 3 ] and expresses her willingness to accept her punishment .
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Helen Gross (born Hellen R. Gross, May 1896 – unknown) [1] was an American classic female blues singer, [2] active as a recording artist in the mid-1920s. Songs she recorded include "I Wanna Jazz Some More", "Bloody Razor Blues", and "Strange Man".