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As is the case with a vast majority of Rush songs, Peart wrote the lyrics for this song. In an interview, he explained that "Show Don't Tell" is an example of his trend from the album Grace Under Pressure onward from writing concepts and abstractions to a more concrete, first-person viewpoint, or as he noted when interviewed a perspective with a "stance and a good attitude". [6]
"Test for Echo" is the title track and first single from Canadian rock band Rush's 16th studio album released in 1996. The song's lyrics were written by Neil Peart and Pye Dubois with music written by Geddy Lee and Alex Lifeson. The song reached No. 1 on the Billboard Hot Mainstream Rock Tracks chart.
"The Pass" is the second single from Rush's 1989 album Presto. The lyrics by drummer Neil Peart address teenage suicide [1] [2] and the tendency to romanticize it. [3] The song peaked at No. 15 on the U.S. Hot Mainstream Rock Tracks chart, and a music video was made for the song.
Recently, Reddit user u/ProducePete pointed out this funny phenomenon in r/Music, saying: "I was playing a ‘name that tune’ type game the other day, and ‘Tainted Love’ came on.
"The Big Money" is a song by Canadian rock band Rush, originally released on their 1985 album Power Windows. It peaked at #45 on the Billboard Hot 100 [2] and #4 on the Mainstream Rock chart, and has been included on several compilation albums, such as Retrospective II and The Spirit of Radio: Greatest Hits 1974-1987.
The song's lyrics were written by Neil Peart with music written by Geddy Lee and Alex Lifeson. "Limelight" expresses Peart's discomfort with Rush's success and the resulting attention from the public. The song paraphrases the opening lines of the "All the world's a stage" speech from William Shakespeare's play As You Like It.
Rush wanted to continue to work with Hine due to his accomplished songwriting, the feedback he gave their songs and his ability to allow the group to achieve a looser sound than previous albums. [20] [17] Lee said that various production tricks they had learned from working with Peter Collins in the 1980s were used on Presto and Roll the Bones ...
"New World Man" is a hit single from the 1982 album Signals by Canadian rock band Rush. The song was the last and most quickly composed song on the album, stemming from a suggestion by then-Rush producer Terry Brown to even out the lengths of the two sides of the cassette version.