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The conservation and restoration of Tibetan thangkas is the physical preservation of the traditional religious Tibetan painting form known as a thangka (also spelled as "tangka" or "thanka"). When applied to thangkas of significant cultural heritage, this activity is generally undertaken by a conservator-restorer.
A thangka (Nepali pronunciation: [ˈt̪ʰaŋka]; Tibetan: ཐང་ཀ་; Nepal Bhasa: पौभा) is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of ...
Large shrine statue of Maitreya, Thiksey Monastery, Ladakh, 1970. The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, [1] Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood.
Most Tibetan Buddhist monasteries, temples and other religious structures in the Himalayas were decorated with Tibetan Buddhist wall paintings. Despite much destruction in Tibet itself, many of these survive, the dry climate of the Tibetan plateau assisting their survival, as the wet Indian climate has reduced survival of paintings from there.
He studied drawing and painting through his school years in India. In 1973 Karma studied thanka painting with a master of traditional Tibetan thanka painting in Nepal. Since then he has been making paintings based on Tibetan Buddhist deities. In 1981 Karma migrated to Australia, and now lives in the bush north of Kyogle with his wife and son.
The thangka, literally something which is unrolled, is a painting on canvas characteristic of Tibetan culture.Canvases of all sizes can be found, from thangka portraits which can be unrolled due to two sticks passing through eyelets, up to momentous designed to be unrolled to cover a wall or door, which can measure dozens of metres.
File: 17th century Central Tibeten thanka of Guhyasamaja Akshobhyavajra, Rubin Museum of Art.jpg
Original - 17th century Central Tibeten thanka of Guhyasamaja Akshobhyavajra, Rubin Museum of Art. Alternate 1 different color balance. Reason A quality historic image of Tibetan Buddhism iconography. Articles this image appears in Thangka, Guhyasamāja tantra Creator
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