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Vase of Sunflowers: 1898 Oil on canvas: 46 × 38 cm St. Petersburg: Hermitage Museum: Landscape, the Pink Wall: Le Mur Rose: 1898 Oil on canvas: Private collection Fruit and Coffee-Pot: 1899 Oil on canvas: 38.5 × 46.5 cm St. Petersburg: Hermitage Museum: Study of a Nude: 1899 Oil on canvas: 65.5 × 60 cm Tokyo: Bridgestone Museum of Art
Roses in a Glass Vase is an oil-on-canvas painting by French artist Henri Fantin-Latour, executed in 1879. The painting has the dimensions of 68 by 53 cm, and is signed and dated at the top left. The painting has the dimensions of 68 by 53 cm, and is signed and dated at the top left.
The Lion Painter was one of the earliest Athens black-figure vase painters. He was active between 630 and 600 BC. He was active between 630 and 600 BC. He was a contemporary of the Nessos Painter , but remained a less significant influence, in spite of his artistic achievements.
Flowers in a vase on a stone ledge, Catharina Backer Flowers in a vase set in a stone niche , Jacoba Maria van Nickelen Possible followers of her technique were Francina Margaretha van Huysum and Cornelia van der Mijn , whose green coloring appears to have faded to blue in the same way as the paintings of Backer and Haverman.
Vase with Daisies and Anemones, 1887, Kröller-Müller Museum, Otterlo (F323) Vase with Daisies and Anemones (F323), also known as Flowers in a Blue Vase, was painted late in Van Gogh's stay in Paris. The vase holds a lively selection of daisies and anemones made with a range of colors.
Garland painting in the Prado. Nicolaes van Verendael was a respected flower painter in Antwerp who worked with Jan Davidsz. de Heem, among others.The early provenance of this painting is unknown but it can be dated based on other works by Van Verendael, such as his garland painting in the Prado which was long attributed to Jan Brueghel the Elder, who began floral painting in Antwerp a half ...
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The exuberant bouquet of roses is said to be one of Van Gogh's largest, most beautiful still life paintings. Van Gogh made another painting of roses in Saint-Rémy, which is on display at the Metropolitan Museum of Art in New York. [1] When Van Gogh left Saint-Rémy on May 16 both rose paintings with very thick paint were left behind to dry.