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Christianity and Classical Culture: A Study of Thought and Action from Augustus to Augustine is a 1940 book by Charles Norris Cochrane examining how the culture of ancient Rome was changed by its encounter with Christianity in the period leading up to Augustine.
Like other forms of music the creation, performance, significance and even the definition of Christian music varies according to culture and social context. Christian music is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes or with a positive message as an entertainment product for the ...
During the first two or three centuries, Christian communities incorporated into their observances features of Greek music and the music of other cultures bordering on the eastern Mediterranean Sea. [4] As the early Church spread from Jerusalem to Asia Minor, North Africa, and Europe, it absorbed other musical influences.
However, during the Dark Ages, the decline in the study of this literature as a whole, as well as the waning of Christianity's popularity throughout Europe, resulted in the extinction of its effect in Christian life until the spread of Islam—the reintroduction of Classical texts—and the "rebirth" of Ancient Greek and Roman philosophies and ...
Gramophone magazine and The Penguin Guide to Recorded Classical Music highlighted two versions, conducted respectively by Trevor Pinnock (1988) and Richard Hickox (1992). The latter employs a chorus of 24 singers and an orchestra of 31 players; Handel is known to have used a chorus of 19 and an orchestra of 37. [141]
David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."
Similarly, Christian sacred music by composers like Pachelbel, Vivaldi, Bach, Handel, Mozart, Haydn, Beethoven, Mendelssohn, Liszt, and Verdi is among the most admired classical music in the Western canon. The Bible and Christian theology have also strongly influenced Western philosophers and political activists. [8]
Partly new melodies are in musical proximity to the classical music, for example with Franz Anton Hoffmeister (1754–1812), in his "Zu lernen bleibt noch unsern Seelen viel". In rationalism appeared a number of new hymn books, for example, the Cramersches Gesangbuch. Due to the low number of melodies used, hymnbooks were now usually published ...