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European art cinema gained popularity in the 1950s down to the 1970s, with notable filmmakers such as Federico Fellini, Michelangelo Antonioni, and Ingmar Bergman. At this time it was new to the even broader field of art cinema .
Total. €1.06 billion. The film industry in Germany can be traced back to the late 19th century. German cinema made major technical and artistic contributions to early film, broadcasting and television technology. Babelsberg became a household synonym for the early 20th century film industry in Europe, similar to Hollywood later.
Art film. Carl Theodor Dreyer, pictured here in 1965, directed the 1928 film The Passion of Joan of Arc. An art film, art cinema, or arthouse film is typically an independent film, aimed at a niche market rather than a mass market audience. [1] It is "intended to be a serious, artistic work, often experimental and not designed for mass appeal ...
The Lumière brothers established the Cinematograph; which initiated the silent film era, a period where European cinema was a major commercial success. It remained so until the art-hostile environment of World War II. [2] These notable discoveries provide a glimpse of the power of early European cinema and its long-lasting influence on cinema ...
National films. €128 million (23.03%) The cinema of Italy (Italian: cinema italiano, pronounced [ˈtʃiːnema itaˈljaːno]) comprises the films made within Italy or by Italian directors. Italy is widely considered one of the birthplaces of art cinema, and the stylistic aspect of Italian film has been one of the most important factors in the ...
British New Wave. The British New Wave is a style of films released in Great Britain between 1959 and 1963. [1][2] The label is a translation of Nouvelle Vague, the French term first applied to the films of François Truffaut, and Jean-Luc Godard among others. [3]
Limite (1931) directed by Mário Peixoto, an early example of experimental feature filmmaking. Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. [1]
The etymology of the term "movie theater" involves the term "movie", which is a "shortened form of moving picture in the cinematographic sense" that was first used in 1896 [8] and "theater", which originated in the "...late 14c., [meaning an] open air place in ancient times for viewing spectacles and plays".