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Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN; [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work formed the bridge between late 19th ...
Cézanne was one of a trio with Vincent van Gogh and Paul Gauguin that were underappreciated in their time but who would have an incalculable effect on the art of the twentieth century, providing an inspiration for artists such as Pablo Picasso and Henri Matisse. Picasso would go so far as to call Cézanne "The father of us all". [1]
Rideau, Cruchon et Compotier (English: Curtain, Jug and Fruit Bowl) is an oil on canvas painting created c. 1893 to 1894 by French artist Paul Cézanne.It is a formal still life composition that displays Cézanne's exploration of form, balance and symmetry in objects.
The Basket of Apples (French: Le panier de pommes) is a still-life oil painting by French artist Paul Cézanne, which he created c. 1893. The painting rejected naturalistic representation in favor of distorting objects to create multiple perspectives. This approach eventually influenced other art movements, including Fauvism and Cubism.
Still Life with Apples and Oranges (French: Nature morte aux pommes et aux oranges) is a still-life oil painting dating from c. 1899 by the French artist Paul Cézanne.It is currently housed at the Musée d'Orsay in Paris.
Mont Sainte-Victoire and the Viaduct of the Arc River Valley is an oil painting on canvas completed by the French artist Paul Cézanne between 1882 and 1885. It depicts Montagne Sainte-Victoire and the valley of the Arc River, with Cézanne's hometown of Aix-en-Provence in the background.
The Card Players is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne. Painted during Cézanne's final period in the early 1890s, there are five paintings in the series. The versions vary in size, the number of players, and the setting in which the game takes place.
Cézanne's vision for the painting seems to have shifted as he worked on it, as evidenced by the additional strips of canvas and changing energy and style of brushstrokes. Throughout the painting, it is clear that Cézanne wrestled with the issue of trying to convey color while also expressing distance.
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