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This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
Also "bar": the period of a musical piece that encompasses a complete cycle of the time signature (e.g. in 4 4 time, a measure has four quarter note beats) medesimo tempo Same tempo, despite changes of time signature medley Piece composed from parts of existing pieces, usually three, played one after another, sometimes overlapping. melancolico ...
8 is a compound time type of time signature). Many other time signatures exist, such as 2 2 or 3 8. Many short classical music pieces from the classical era and songs from traditional music and popular music are in one time signature for much or all of the piece.
Time signatures in music contain patterns of strong and weak beats. In every time signature, the first beat, or the downbeat, is the strongest. 4/4, 3/4, and 6/8 time are the most common time signatures in popular styles. In 4/4 time, four beats are present in one measure. The first beat is the strongest, with the third beat the second-strongest.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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They were more common in Baroque times. For example, in WTC II the F major fugue is in 6/16 and the C-sharp minor fugue is in 12/16. In List of musical works in unusual time signatures, 6/16, 9/16, and 12/16 are considered "usual" (I suppose because they are the natural compound-time counterparts of 2/8, 3/8, and 4/8).