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The movie follows the story of four children who were abandoned by their mother and left to fend for themselves. Homecoming was directed by Mark Jean, produced by Jack Baran, and the executive producer was Shirō Sasaki. This drama is rated PG and has a running time of 105 minutes. [citation needed]
Nobody Knows (誰も知らない, Dare mo Shiranai) is a 2004 Japanese drama film based on the 1988 Sugamo child abandonment case. [2] The film is written, produced, directed and edited by Hirokazu Kore-eda, and it stars Yuya Yagira, Ayu Kitaura, and Hiei Kimura.
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The Sugamo child-abandonment case (巣鴨子供置き去り事件, Sugamo kodomo okizari jiken) was a situation uncovered in 1988 in Tokyo's Toshima Ward.It involved a mother of five children who abandoned the four surviving young children for months, resulting in the death of one.
[21] The Guardian critic Peter Bradshaw praised the movie as being a deeply intelligent story of love and survival in the wild, and gave it a perfect score of 5 out of 5. [22] Mark Kermode named Leave No Trace his favourite film of 2018. [23] Peter Debruge of Variety gave the film a mixed review: "There's a listless, almost meandering nature to ...
Abandoned is a 2022 American horror film directed by Spencer Squire and written by Erik Patterson and Jessica Scott. The film stars Emma Roberts , John Gallagher Jr. and Michael Shannon . [ 3 ] The film was Squire's feature film directorial debut , with Roberts serving as one of the producers.
Charlie Chaplin's movie The Kid revolves about the Tramp's efforts to raise an abandoned child. In the graphic novel Aqua Leung , the main protagonist is a prince who is whisked out of a castle under attack in a basket-like device and then found by a couple and raised on land so that his father's enemies do not find him.
The plot centers on Laura, who returns to her childhood home, an orphanage. Laura plans to turn the house into a home for disabled children, but after an argument with Simón, he goes missing. The film is an international co-production film between Spain and Mexico.
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