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Sociomusicology (from Latin: socius, "companion"; from Old French musique; and the suffix -ology, "the study of", from Old Greek λόγος, lógos : "discourse"), also called music sociology or the sociology of music, refers to both an academic subfield of sociology that is concerned with music (often in combination with other arts), as well as a subfield of musicology that focuses on social ...
Human ethology is the study of human behavior. Ethology as a discipline is generally thought of as a sub-category of biology, though psychological theories have been developed based on ethological ideas (e.g. sociobiology, evolutionary psychology, attachment theory, and theories about human universals such as gender differences, incest avoidance, mourning, hierarchy and pursuit of possession).
Like the origin of language, the origin of music has been a topic for speculation and debate for centuries. [3] Leading theories include Darwin's theory of partner choice (women choose male partners based on musical displays), the idea that human musical behaviors are primarily based on behaviors of other animals (see zoomusicology), the idea that music emerged because it promotes social ...
Alan Parkhurst Merriam (1 November 1923 – 14 March 1980) was an American ethnomusicologist known for his studies of music in Native America and Africa. [1] In his book The Anthropology of Music (1964), he outlined and develops a theory and method for studying music from an anthropological perspective with anthropological methods.
Zoomusicology (/ ˌ z oʊ ə m j uː z ɪ ˈ k ɒ l ə dʒ i /) is the study of the musical aspects of sound and communication as produced and perceived by animals. [1] It is a field of musicology and zoology, and is a type of zoosemiotics.
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Culture in music cognition refers to the impact that a person's culture has on their music cognition, including their preferences, emotion recognition, and musical memory. Musical preferences are biased toward culturally familiar musical traditions beginning in infancy, and adults' classification of the emotion of a musical piece depends on ...
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