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Step Up Revolution (released in some countries as Step Up 4: Miami Heat) is a 2012 American dance film directed by Scott Speer and written by Amanda Brody. The film is the sequel to Step Up 3D (2010) and the fourth installment in the Step Up film series.
Step Up is an American romantic dance franchise created by Duane Adler. The franchise includes six films and a television series. The franchise includes six films and a television series. The films have received a generally mixed critical reception, while being a box office success with a collective total of $651 million.
Step Up was released by Touchstone Pictures and Summit Entertainment in the United States on August 11, 2006. [4] The film received mixed-to-negative reviews from critics, but became a box office success, grossing $114.2 million worldwide against a budget of $12 million. It spawned a franchise that includes four sequels and a television series.
Gird your streaming queues, because this throwback movie is making a comeback on Netflix.Introducing Step Up 4 . Despite the fact that it originally premiered in 2012,...
Ryan Anthony Guzman (born September 21, 1987 [4]) is an American actor.He is known for his lead roles as Sean Asa in Step Up Revolution and Step Up: All In, part of the Step Up film series, as Noah Sandborn in the erotic psychological thriller The Boy Next Door and as Edmundo "Eddie" Diaz in the ABC procedural drama 9-1-1.
Image credits: Ciphi #6 I Like The Idea Of Mr. Bean As An Alien, At Least In The Run Of The Original Series. The opening shows him beamed down to Earth from a ray of light ( a spaceship) and it ...
In May 2009 Sevani was confirmed to reprise the role of Moose in the third installment of the Step Up series. [6] Filming took place in New York City [ 7 ] on a $30 million budget. [ 8 ] The film, Step Up 3D , centers on Moose and his best friend Camille ( Alyson Stoner ) moving to New York to start University until Sevani's character gets ...
[8] Movie Ranker gave it a 2 out of 10 stars writing: "‘The Stepmother’ is completely absent of any visual flourishes or unique identity. The family house looks like one of those fully furnished demo homes, untouched and never lived-in. Beyond that, Stokes does nothing of visual or aesthetic interest, resulting in scenes that look flat ...
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