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The takshita (Berber: ⵜⴽⵛⵉⵟⴰ, Arabic: تَكْشِيْطَة, alternate spellings: taqchita, tackshita, tackchita) is a Moroccan traditional women's garment that, like the Moroccan kaftan, is worn for celebrations, particularly weddings.
In Old Palestine, the henna night was a night used to prepare all the necessary wedding decorations and last-minute arrangements. It was also a chance for the families to celebrate together before the wedding. The groom's family would sahij, or dance, through the streets of the village until they reached the house of the bride. Once there, the ...
English: Description: This elaborate eight-piece costume is an example of the traditional festive dress of Moroccan Jewish women, worn by brides and at other celebrations. It is probably based on medieval Spanish Jewish costume, with its origins usually traced to the 15th century Spanish vertugada (hoop skirt, known as a "farthingale" in England).
The berberisca dress or keswa-el-kbira (Arabic: الكسوة الكبيرة, 'the grand gown') is a traditional dress for a Moroccan Jewish woman for her wedding. Traditionally a father gifts his daughter a berberisca dress for her wedding and the first time she wears it is at the henna ceremony .
Its simple decoration includes tilework; the clock faces visible today were added at a later period. The mihrab has a more traditional western Islamic form, with a horseshoe-arch shape and stucco decoration, although the decoration around it is crowned with Ottoman-style half-medallion and quarter-medallion shapes.
Jean Besancenot, (French pronunciation: [ʒã bɘzãsɘ.no]; 24 September 1902 – 27 July 1992), born as Jean Girard, was a French painter, documentary photographer, and self-trained ethnographer, active mainly during the 1930s and 1940s in the French protectorate in Morocco.
Pages in category "Orders, decorations, and medals of Morocco" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. M.
Mosaic tiling from the Qal'at Bani Hammad (present-day Algeria), 11th century. Zellij fragments from al-Mansuriyya (Sabra) in Tunisia, possibly dating from either the mid-10th century Fatimid foundation or from the mid-11th Zirid occupation, suggest that the technique may have developed in the western Islamic world around this period. [5]
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