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Pimmalione (Pygmalion) is an opera in one act by Luigi Cherubini, first performed at the Théâtre des Tuileries, Paris, on 30 November 1809.The libretto is an adaptation by Stefano Vestris [1] of Antonio Simone Sografi's Italian translation of the text Jean-Jacques Rousseau wrote for his scène lyrique Pygmalion (1770).
In book 10 of Ovid's Metamorphoses, Pygmalion was a Cypriot sculptor who carved a woman out of ivory alabaster.Post-classical sources name her Galatea.. According to Ovid, when Pygmalion saw the Propoetides of Cyprus practicing prostitution, he began "detesting the faults beyond measure which nature has given to women". [1]
Il Pigmalione (Pygmalion) is a scena lirica (lyric scene or opera) in one act by Gaetano Donizetti.The librettist is unknown, but it is known that the libretto was based on one by Antonio Simeone Sografi for Giovanni Battista Cimador [] 's Pimmalione (1790), in turn based on Jean-Jacques Rousseau's Pygmalion [1] and ultimately based on Book X of Ovid's Metamorphoses. [2]
In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first presented in 1871.
Eliza Doolittle is a fictional character and the protagonist in George Bernard Shaw's play Pygmalion (1913) and its 1956 musical adaptation, My Fair Lady. Eliza (from Lisson Grove, London) is a Cockney flower seller, who comes to Professor Henry Higgins asking for elocution lessons, after a chance encounter at Covent Garden. Higgins goes along ...
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Pygmalion is the most influential dramatic work by Jean-Jacques Rousseau, other than his opera Le devin du village. Though now rarely performed, it was one of the first ever melodramas (that is, a play consisting of pantomime gestures and the spoken word, both with a musical accompaniment).
Galatea or Pygmalion Re-Versed is a parody of W.S. Gilbert's blank verse romantic play Pygmalion and Galatea. The Morning Post described the piece as "A short burlesque of Mr. Gilbert's classic drama in which Miss Mary Anderson is now delighting the public at the Lyceum."
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