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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Download QR code; Print/export Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... Squeeze play (bridge) B. Backwash squeeze; C.
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a 32-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a ...
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Although it is mandatory in the XY Notrump form of the convention to complete the relay 2 ♣ to 2 ♦, when Z was a suit, opener may be unlimited. In such a case it is acceptable, if opener has too good a hand to risk being dropped in 2 ♦ to bypass the relay and make a (forcing) bid.
25 Bridge Conventions You Should Know is a book on contract bridge co-written by Canadian teacher and author Barbara Seagram and British player and author Marc Smith.It was published by Master Point Press in 1999.
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Backwash squeeze is a rare squeeze which involves squeezing an opponent which lies behind declarer's menace. A variation of this, known as the "Sydney Squeeze" or "Seres Squeeze", was discovered in play at a rubber bridge game in Sydney, Australia, in 1965, by the Australian great Tim Seres; it was later attested by famous bridge theorist Géza Ottlik in an article in The Bridge World in 1974 ...