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The song was recorded on March 2, 1965. The song was shown off to Soma Records founder and President Amos Heilicher and he liked it and signed The Castaways on a contract. [5] "Liar, Liar" was the first and only hit single by the Castaways. The song peaked at number 12 on the Billboard Hot 100 in 1965. [6]
Their debut album was released a few months later, in early 1966, and was named after the hit, and featured the song. [6] " Lies" entered the Billboard Hot 100 in the final week of December 1965 [ 7 ] went to number 20 on the charts in late January 1966, [ 8 ] and was, in total, on the Hot 100 for thirteen weeks, before leaving the charts in ...
The Castaways are an American rock band from the Twin Cities in Minnesota, United States. [1] They were formed in 1963. The band's only hit single was "Liar, Liar". [1] Written by keyboardist and band leader Jim Donna and drummer (and band co-founder) Dennis Craswell, the song was produced by Timothy D. Kehr and released by Soma Records, reaching number 12 on the Billboard Hot 100 chart in 1965.
The song is written in the key of A major with a chord progression of Bm7–E–A–D–E in the verse, A–C♯m7/G♯–F♯m–D in the chorus, and C♯m–G–C♯m–G–Bm–E in the bridge. Harket demonstrates a vocal range of over two and a half octaves . [ 13 ]
The music video was released on September 29, 2006. [8] The video shows the arm of a person hooked up to a lie detector test, as sketches within the polygraph show the band performing the song. At the end of the video, the figure hooked up to the machine is revealed to be frontman Adam Lazzara , while behind a one-way mirror stands the other ...
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
Pareles wrote that "Liar" is a song which "border-hop[s] at the speed of pop". [10] He listed the song at number 20 on his list of "The 54 Best Songs of 2019" and opined that is "a lighthearted plaint about the power of lust" which "work[s] nimbly and globally to hold elusive the pop attention span". [12]
In contrast to most other songs of that era, the verses consist mainly of minor chords, while the instrumental break shifts to a rather conventional major chords structure [citation needed]. It served as the title song to John Boorman's well-regarded 1965 DC5 vehicle and pop scene film Catch Us If You Can (retitled Having a Wild Weekend in the ...
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