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Anuv Jain is an Indian singer songwriter and composer. [ 1 ] [ 2 ] He is known for his simple chorded songs with lyrics that deal with love and heartbreak. [ 3 ] [ 4 ] His music primarily contains an acoustic guitar or ukulele, unaccompanied by percussion or other instruments.
In 1906, another translation of selections was made by C. Lakshminarayana Sastry. [2] In 1948, Telugu poet P. Sriramulu Reddi, who translated Kambaramayana into Telugu, published a translation of the Kural. [2] In 1954, Challa Radhakrishna Sarma made a translation under the title Tamila Vedamu. [2]
The story is full of symbolism and is meant to be taken, not for its literal meaning but rather, for its symbolic and esoteric meaning; one's journey towards God, where one sees at the end that he himself is actually a reflection of God, hence is one with God because there is no being other than God.
Jain cosmology recognizes the fundamental natural phenomenon of symbiosis or mutual dependence, which forms the basis of the modern day science of ecology. It is relevant to recall that the term `ecology’ was coined in the latter half of the nineteenth century from the Greek word oikos, meaning `home’, a place to which one returns. Ecology ...
The art form was developed particularly by Telugu poets in medieval times. [1] It involves the partial improvisation of poems using specific themes, metres, forms, or words. [2] There is a tradition of mentoring in Avadhanam. The best avadhanis have contributed to the oeuvres of Telugu and Kannada poetry.
Tikkana (or Tikkana Somayaji) (1205–1288) was a 13th century Telugu poet. Born into a Telugu-speaking Niyogi Brahmin family during the golden age of the Kakatiya dynasty, he was the second poet of the "Trinity of Poets (Kavi Trayam)" that translated Mahabharata into Telugu.
Gharshana (transl. 'Friction' or 'Clash') is a 2004 Indian Telugu-language action thriller film produced by G. Sivaraju, C. Venkatraju, and Kalaipuli S. Thanu. It is directed by Gautham Vasudev Menon, in his Telugu debut. It is the remake of the 2003 Tamil blockbuster, Kaakha Kaakha.
The phala (fruit, result) of a sacrifice is implicit in the artha (meaning, purpose) of the sacrifice. Mimamsa school then argued that man is for the purpose of actions demanded by Vedic injunctions (apauruseya), and such subordination of man to rituals allows man to reach heaven. [ 16 ]