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Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
The theory is that the bad quarto is a memorial reconstruction of Hamlet, made by some of its actors: so where there are unintentional echoes of Othello in the bad quarto (for example "to my vnfolding / Lend thy listning eare" [40] in the bad quarto and "To my unfolding lend your prosperous ear" [41] in Othello – and a number of others) it ...
The name was selected by Hasegawa [14] as a reference to the Shakespearean play Othello, the Moor of Venice, referring to the conflict between the Moor Othello and Iago, and to the unfolding drama between Othello, who is black, and Desdemona, who is white. The green color of the board is inspired by the image of the general Othello, valiantly ...
Othello (/ ɒ ˈ θ ɛ l oʊ /, oh-THELL-oh) is the titular protagonist in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio .
Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona.
Othello (also known as The Tragedy of Othello: The Moor of Venice) is a 1951 tragedy directed and produced by Orson Welles, who also adapted the Shakespearean play and played the title role. Recipient of the Grand Prix du Festival International du Film (precursory name for the Palme d'Or [ 3 ] ) at the 1952 Cannes Film Festival , the film was ...
Othello made the mistake of assuming that he understood the source of Desdemona's anguish. He assumed that his wife's sobs when confronted were a sign of her guilt; he didn't understand that her grief was rooted not in guilt, but in her knowledge that there was no way to convince her husband of her innocence.