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Alastor was created by Medrano during her time at School of Visual Arts in New York City, [10] appearing unnamed on her DeviantArt page "circa. 2008". He was planned to be incorporated into her 2012 webcomic series ZooPhobia as a supporting character in a planned "Angels and Demons" story arc following his formal creation in 2011; [11] on the arc's cancellation in 2016 and subsequent ...
Alastor (/ ə ˈ l æ s t ər,-t ɔː r /; Ancient Greek: Ἀλάστωρ, English translation: "avenger" [1]) refers to a number of people and concepts in Greek mythology: [2]. Alastor, an epithet of the Greek God Zeus, according to Hesychius of Alexandria and the Etymologicum Magnum, which described him as the avenger of evil deeds, specifically familial bloodshed.
Hazbin Hotel is an American adult animated musical comedy television series created by Vivienne "VivziePop" Medrano. [1] [4] The series revolves around Charlie Morningstar, princess of Hell, on her quest to find a way for sinners to be "rehabilitated" and allowed into Heaven, via her "Hazbin Hotel", as an alternative to Heaven's annual "Extermination" of souls due to Hell's overpopulation.
The Romans had many different words for varieties of blue, including caeruleus, caesius, glaucus, cyaneus, lividus, venetus, aerius, and ferreus, but two words, both of foreign origin, became the most enduring; blavus, from the Germanic word blau, which eventually became bleu or blue; and azureus, from the Arabic word lazaward, which became azure.
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The colours associated with the four creatures can be said to match the colours of soil in the corresponding areas of China: the bluish-grey water-logged soils of the east, the reddish iron-rich soils of the south, the whitish saline soils of the western deserts, the black organic-rich soils of the north, and the yellow soils from the central ...
Alastor, or The Spirit of Solitude is a poem by Percy Bysshe Shelley, written from 10 September to 14 December in 1815 in Bishopsgate, near Windsor Great Park and first published in 1816. The poem was without a title when Shelley passed it along to his contemporary and friend Thomas Love Peacock .
Blue and white ware did not accord with Chinese taste at that time, the early Ming work Gegu Yaolun (格古要論) in fact described blue as well as multi-coloured wares as "exceedingly vulgar". [16] Blue and white porcelain however came back to prominence in the 15th century with the Xuande Emperor, and again developed from that time on. [14]