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The oldest surviving panel icon of Christ Pantocrator, encaustic on panel, c. 6th century, showing the appearance of Jesus that is still immediately recognised today. Jesus is sometimes shown performing miracles by means of a wand, [ 33 ] as on the doors of Santa Sabina in Rome (430–32).
Christ Pantocrator of Saint Catherine's Monastery is one of the oldest Byzantine religious icons, dating from the 6th century AD. [1] The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all ), it is regarded by historians and scholars among the most important and recognizable works in the study of Byzantine ...
The Hinton St Mary Mosaic is a large, almost complete Roman mosaic discovered at Hinton St Mary, Dorset, England in 1963.It appears to feature a portrait bust of Jesus Christ as its central motif, which could be the oldest depiction of Jesus Christ anywhere in the Roman Empire. [1]
The earliest pictorial representations of Jesus' Nativity come from sarcophagi in Rome and Southern Gaul of around this date. [10] They are later than the first scenes of the Adoration of the Magi , which appears in the catacombs of Rome , where Early Christians buried their dead, often decorating the walls of the underground passages and ...
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
Click through to see depictions of Jesus throughout history: The discovery came after researchers evaluated drawings found in various archaeological sites in Israel.
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
The floating Christ inevitably recalled the composition of depictions of his Resurrection and Ascension, an association which Raphael and later artists were happy to exploit for effect. [9] Raphael's last painting, "Transfiguration of Jesus", is a masterpiece that reflects his mastery of Renaissance painting techniques.