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Norval Morrisseau, Artist and Shaman between Two Worlds, 1980, acrylic on canvas, 175 x 282 cm, National Gallery of Canada, Ottawa Woodlands style, also called the Woodlands school, Legend painting, Medicine painting, [1] and Anishnabe painting, is a genre of painting among First Nations and Native American artists from the Great Lakes area, including northern Ontario and southwestern Manitoba.
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Molly (Mary Elizabeth) Brett grew up in the English county of Surrey, surrounded by animals and nature.Her mother, Mary Gould Brett, was a respected animal painter who encouraged her daughter to paint from life, and this is reflected in Molly's gift for making her animals look thoroughly naturalistic while giving them human characteristics and activities.
While the oldest wooden artifacts are as much as 10,000 years old, carved and painted wooden objects are known only from the past 2,000 years. Animal effigies and face masks have been found at a number of sites in Florida. Animal effigies dating to between 200 and 600 were found in a mortuary pond at Fort Center, on the west side of Lake ...
Doolittle has co-authored and illustrated several books. She has long been interested in the plight of Native Americans, wild animals, and ecological and environmental issues and her books and paintings focus on these issues. She refers to her style as "camouflage technique" in which certain details of her art can be seen in more than one way.
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The Avenue at Middelharnis by Meindert Hobbema. Oil on canvas, 104 × 141 cm. 1689. National Gallery, London.. Meindert Lubbertszoon Hobbema (bapt. 31 October 1638 – 7 December 1709) was a Dutch Golden Age painter of landscapes, specializing in views of woodland, although his most famous painting, The Avenue at Middelharnis (1689, National Gallery, London), shows a different type of scene.
Said to somehow be related to the family by marriage, Shayer would add figures, usually people or farm animals, to Williams landscapes otherwise barren of this ornamentation. [13] Near Wantage, Berkshire is an oil on canvas that is one well-known example of such a collaboration between Shayer and Edward Charles Williams. [ 14 ]
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