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Leading proponents of the 1960s psychedelic art movement were San Francisco poster artists such as: Rick Griffin, Victor Moscoso, Bonnie MacLean, Stanley Mouse & Alton Kelley, Bob Masse, and Wes Wilson. Their psychedelic rock concert posters were inspired by Art Nouveau, Victoriana, Dada, and Pop Art. The "Fillmore Posters" were among the most ...
Victor Moscoso (born July 28, 1936) [1] is a Spanish–American artist best known for producing psychedelic rock posters, advertisements, and underground comix in San Francisco during the 1960s and 1970s. He was the first of the rock poster artists of the 1960s era with formal academic training and experience.
Thomas Lyttle started collecting blotter art after meeting with McCloud. He produced vanity blotter art, limited edition runs of undipped blotter art prints that were then signed by luminaries in the psychedelic community such as Albert Hofmann, Timothy Leary, Ken Kesey, Laura Huxley, Alexander Shulgin, Robert Anton Wilson, and John Lilly.
The celebrated psychedelic rock poster artist was a significant contributor to the Haight-Asbury scene." [9] According to author Eric King, Wilson's posters are among the most collectible from the psychedelic poster scene, with an early first run poster by Wilson for the Tribal Stomp even selling for $16,500 in 2005. [6]
They produced a wealth of distinctive psychedelic promotional posters and handbills for concerts that featured emerging psychedelic bands like Big Brother and the Holding Company, [31] The Grateful Dead and Jefferson Airplane. Many of these works are now regarded as classics of the poster genre, and original items by these artists command high ...
Alton Kelley (June 17, 1940 – June 1, 2008) was an American artist known for his psychedelic art, in particular his designs for 1960s rock concert posters and album covers. Along with artists Rick Griffin , Stanley Mouse , Victor Moscoso and Wes Wilson , Kelley founded the Berkeley Bonaparte distribution agency in order to produce and sell ...
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