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Most Western commentators in the Middle Ages considered the Transfiguration a preview of the glorified body of Christ following his Resurrection. [11] In earlier times, every Eastern Orthodox monk who took up icon painting had to start his craft by painting the icon of the Transfiguration, the underlying belief being that this icon is not painted so much with colors, but with the Taboric light ...
According to Christian legend, the image of Edessa, (known to the Eastern Orthodox Church as the Mandylion, a Medieval Greek word not applied in any other context), was a holy relic consisting of a square or rectangle of cloth upon which a miraculous image of the face of Jesus was imprinted — the first icon ("image").
In Eastern Orthodox Christian theology, the Tabor Light (Ancient Greek: Φῶς τοῦ Θαβώρ "Light of Tabor", or Ἄκτιστον Φῶς "Uncreated Light", Θεῖον Φῶς "Divine Light"; Russian: Фаворский свет "Taboric Light"; Georgian: თაბორის ნათება) is the light revealed on Mount Tabor at the Transfiguration of Jesus, identified with the ...
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon of the Transfiguration. [60] However, while Western depictions increasingly aimed at realism , in Eastern icons a low regard for perspective and alterations in the size and ...
12th-century icon of the Transfiguration. The theology of the transfiguration received the attention of the Church Fathers from the earliest times. In the 2nd century, Irenaeus was fascinated by the transfiguration and wrote: "the glory of God is a live human being and a truly human life is the vision of God". [21]
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Such an image is often placed in the apse of the sanctuary of an Orthodox church above the Holy Table (altar). [ 2 ] As with most Orthodox icons of Mary, the letters ΜΡ ΘΥ (short for Μ ΗΤΗ Ρ Θ ΕΟ Υ , " Mother of God ") are usually placed on the upper left and right of the head of the Virgin Mary.
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