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"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
In 1936 Andrew Cairncross suggested that, until more becomes known, it may be assumed that Shakespeare wrote the Ur-Hamlet. [17] Eric Sams lists reasons for supporting Shakespeare's authorship. [18] Harold Jenkins considers that there are no grounds for thinking that the Ur-Hamlet is an early work by Shakespeare, which he then rewrote. [19]
The Palace at Westminster, King Henry and the Prince of Wales (Shakespeare, King Henry IV, Part 2, Act 4, Scene 4), first published 1795, reissued 1852, Robert Thew, after Josiah Boydell. Henry IV, Part 2 is a history play by William Shakespeare believed to have been written between 1596 and 1599.
In January 2003, SparkNotes developed a practice test service called SparkNotes Test Prep. This project was followed by the release of SparkCharts, reference sheets that summarize a topic; No Fear Shakespeare, transcriptions of Shakespeare's plays into modern language; and No Fear Literature, transcriptions of literary classics like The ...
Hamlet, Act IV, Scene V (Ophelia Before the King and Queen), Benjamin West, 1792. In Ophelia's first speaking appearance in the play, [3] she is seen with her brother, Laertes, who is leaving for France. Laertes warns her that Hamlet, the heir to the throne of Denmark, does not have the freedom to marry whomever he wants.
Maintain FA status for the articles William Shakespeare, Shakespeare authorship question, Hamlet, and Romeo and Juliet. Crowd-source the creation of a definitive repository of free, open-source translations into modern English of all Shakespeare plays and poems, to replace "No Fear Shakespeare" (which is now behind a paywall as of April 2022)
He is seen to be an able monarch (notwithstanding the unfavourable comparison to his murdered predecessor in Hamlet's first soliloquy) as well as a smart thinker and smooth talker, who in Act IV, Scene 5 converts Laertes from rebel to accomplice. [4] In Act III, Claudius bludgeons, [clarification needed] and attempts to pray in Scene 3, even as ...
Shakespeare scholar W. W. Greg was of the opinion that the Ghost was a figment of Hamlet's overwrought imagination. [7] Shakespeare scholar J. Dover Wilson and others have argued that in having the Ghost appear a number of times to others before appearing to Hamlet, Shakespeare makes clear that the apparition is not a mere illusion. [5]
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