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"Vienna" is a song from Billy Joel's 1977 album The Stranger, released as the B-side to his "Just the Way You Are" single. [ 2 ] Despite its initial release as a B-side, the song's popularity has grown considerably in the decades after its release.
“Vienna” joins songs like “Uptown Girl” and “Piano Man” as one of Billy Joel’s most streamed tracks. Young women in particular seem to be behind its slow-burn resurgence.
[15] "Vienna" has also become a popular part of his live set; when Joel lets the audience choose between it and "Just the Way You Are", "Vienna" is most often the winning contender. [42] The song was featured in an episode of the TV series Taxi , [ 43 ] and was prominently showcased later on in the 2004 teenage comedy film 13 Going on 30 .
William Martin Joel (born May 9, 1949) is an American singer-songwriter, composer and pianist. Commonly nicknamed the "Piano Man", he has been making music since the 1960s ...
The 15-year-old singer took the stage for his first live performance during Monday's semifinals and thrilled the crowd and coaches with his performance of Billy Joel's "Vienna," starting on the ...
Joel shared that the melody and chord progression for this song came to him while he was dreaming. [5] In an interview on the Howard Stern Radio Show on November 16, 2010, Joel said that the inspiration for writing the name of the song and how it sounds in the chorus was directly taken from the last line in the Frankie Valli and the Four Seasons song "Rag Doll", which incidentally was also a ...
American singer-songwriter Billy Joel has released 13 studio albums, seven live albums, 18 compilation albums, 10 video albums, 82 singles, three promotional singles, and 45 music videos. Throughout his career, he has sold more than 150 million records worldwide, making him one of the best-selling music artists in history .
"Movin' Out (Anthony's Song)" is a song written and recorded by Billy Joel, featured on his 1977 album The Stranger as the opening track. The song critiques the ambitions of working- and lower-middle-class New Yorkers who strive for material success as evidence of social mobility, working long hours to afford the outward signs of having "made it". [4]
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