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In 2007, the Walker Art Center exhibition "Kara Walker: My Complement, My Oppressor, My Enemy, My Love" was the artist's first full-scale US museum survey. Her influences include Andy Warhol, whose art Walker says she admired as a child, [12] Adrian Piper, [24] [25] and Robert Colescott. [21]
Walker reappropriates the cut-paper silhouettes crafted by proper ladies in the nineteenth century to create strange tableaux from antebellum romance novels and slave narratives. [2] They Waz Nice White Folks While They Lasted is actually one of her less disturbing works, which can feature images of rape, murder, and torture.
A Subtlety (also known as the Marvelous Sugar Baby and subtitled an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant) is a 2014 piece of installation art by American artist Kara Walker.
Fons Americanus was a sculpture, taking the form of a functional fountain adorned with allegorical scenes and figures, created by American artist Kara Walker.The sculpture was housed in the Tate Modern’s Turbine Hall from late 2019 to early 2020, and was destroyed at the end of its time there.
Pages in category "Works by Kara Walker" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. F. Fons Americanus; S.
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Kara Walker, a contemporary American artist, is known for her exploration of race, gender, sexuality, violence and identity in her artworks. Walker's silhouette images work to bridge unfinished folklore in the Antebellum South and are reminiscent of the earlier work of Harriet Powers. Her nightmarish yet fantastical images incorporate a ...