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Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .
In Middle Byzantine architecture "cloisonné masonry" refers to walls built with a regular mix of stone and brick, often with more of the latter. The exterior of the 11th- or 12th-century Pammakaristos Church in Istanbul is an example, though it is even more renowned for Late Byzantine additions discussed below.
Examples can be found in churches and palaces, where stucco is mostly used to provide a smooth, decorative transition from walls to ceiling, decorating and giving measure to ceiling surfaces. Stucco is an integral part of the art of belcomposto , the Baroque concept that integrates the three classic arts , architecture , sculpture , and painting .
Although there are many types of anchors or anchorages, according to the Dictionary of Architecture and Construction, an anchor plate specifically is a "wrought-iron clamp, of Flemish origin, on the exterior side of a brick building wall that is connected to the opposite wall by a steel tie-rod to prevent the two walls from spreading apart ...
In the 14th century, decorative plasterwork called pargeting was being used in South-East England to decorate the exterior of timber-framed buildings. This is a form of incised, moulded or modelled ornament, executed in lime putty or mixtures of lime and gypsum plaster.
Illustration to Serlio, rusticated doorway of the type now called a Gibbs surround, 1537. Although rustication is known from a few buildings of Greek and Roman antiquity, for example Rome's Porta Maggiore, the method first became popular during the Renaissance, when the stone work of lower floors and sometimes entire facades of buildings were finished in this manner. [4]
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