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The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
Ideas such as equality and open sexuality were very popular during the time and women seemed to capitalize on these ideas during this period. The 1920s saw the emergence of many famous women musicians, including Bessie Smith. Bessie Smith gained attention because she was not only a great singer but also an African-American woman as well as an ...
The first jazz artist to be given some liberty in choosing his material was Louis Armstrong, whose band helped popularize many of the early standards in the 1920s and 1930s. [ 3 ] Some compositions written by jazz artists have endured as standards, including Fats Waller 's " Honeysuckle Rose " and " Ain't Misbehavin' ".
The Harlem Renaissance, also known as the New Negro Movement, was a cultural, social, and artistic explosion centered in Harlem, New York, and spanning the 1920s. This list includes intellectuals and activists, writers, artists, and performers who were closely associated with the movement.
During the late-1920s, and especially in the 1930s, the basketball team became known as the best in the world. The first issue of Opportunity was published. The African American playwright Willis Richardson debuted his play The Chip Woman's Fortune at the Frazee Theatre (also known as the Wallacks theatre ). [1]
Partly due to the Great Depression, Regionalism became one of the dominant art movements in America in the 1930s, the other being Social Realism. At the time, the United States was still a heavily agricultural nation, with a much smaller portion of its population living in industrial cities such as New York City or Chicago .
A style of piano-playing based on the blues, boogie-woogie was briefly popular among mainstream audiences and blues listeners. At the heights of the Great Depression, gospel music started to become popular by people like Thomas A. Dorsey and Mahalia Jackson, who adapted Christian hymns to blues and jazz structures. By 1925, three main styles of ...
After World War I, the artists who had inhabited the guinguettes and cabarets of Montmartre invented post-Impressionism during the Belle Époque. In 1926, the facade of the Folies Bergère building was redone in Art Deco style by the artist Maurice Pico, adding it to the many Parisian theatres of the period in this architectural style. [6]