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A chant (from French chanter, [1] from Latin cantare, "to sing") [2] is the iterative speaking or singing of words or sounds, often primarily on one or two main ...
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
Gregorian chant is a variety of plainsong named after Pope Gregory I (6th century A.D.), but Gregory did not invent the chant. The tradition linking Gregory I to the development of the chant seems to rest on a possibly mistaken identification of a certain "Gregorius", probably Pope Gregory II, with his more famous predecessor. The term ...
Likewise the cofinal is an additional resting point in the chant; it may be regarded as having some analogy to the more recent dominant, but its interval from the tonic is not necessarily a fifth. In addition to the final and cofinal, every mode is distinguished by scale degrees called the mediant and the participant .
In chant, a reciting tone (also called a recitation tone) can refer to either a repeated musical pitch or to the entire melodic formula for which that pitch is a structural note. In Gregorian chant , the first is also called tenor , dominant or tuba , while the second includes psalm tones (each with its own associated Gregorian mode ) as well ...
Anglican chant, also known as English chant, [1] [2] is a way to sing unmetrical texts, including psalms and canticles from the Bible, by matching the natural speech-rhythm of the words to the notes of a simple harmonized melody. [3]
The jazz chants model is a way to build an effective learning. The implementation of jazz chants is suitable with the principle of quantum teaching in classrooms that drives students in a happy atmosphere while learning. Implementation of Chant Jazz model, this is included in the effort of practicing Quantum Teaching in Class.
The chanson courtoise or grand chant was an early form of monophonic chanson, the chief lyric poetic genre of the trouvères. It was an adaptation to Old French of the Occitan canso. It was practised in the 12th and 13th centuries. Thematically, as its name implies, it was a song of courtly love, written usually by a man to his noble lover.