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Repetitive songs contain a large proportion of repeated words or phrases. Simple repetitive songs are common in many cultures as widely spread as the Caribbean, [1] Southern India [2] and Finland. [3] The best-known examples are probably children's songs. Other repetitive songs are found, for instance, in African-American culture from the days ...
Some examples include chant in African, Hawaiian, Native American, Assyrian and Australian Aboriginal cultures, Gregorian chant, Vedic chant, Quran reading, Islamic Dhikr, Baháʼí chants, various Buddhist chants, various mantras, Jewish cantillation, Epicurean repetition of the Kyriai Doxai, and the chanting of psalms and prayers especially ...
The jazz chants model is a way to build an effective learning. The implementation of jazz chants is suitable with the principle of quantum teaching in classrooms that drives students in a happy atmosphere while learning. Implementation of Chant Jazz model, this is included in the effort of practicing Quantum Teaching in Class.
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
Ambrosian chant – Monophonic liturgical music used in the liturgy of the Ambrosian Rite. Ballade – French poetic-musical form. Ballata – Medieval Italian poetry accompanied by music. Canso – Song of troubadour tradition. Cantiga – Monophonic song of Spanish or Portuguese origin, often about religious themes or courtly love.
In traditional music, repetition is a device for creating recognizability, reproduction for the sake of the music notes of that specific line and the representing ego. In repetitive music, repetition does not refer to eros and the ego, but to the libido and to the death instinct." Repetitive music has also been linked with Lacanian jouissance.
In music, an ostinato (Italian: [ostiˈnaːto]; derived from the Italian word for stubborn, compare English obstinate) is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch.
Das Wandern", the opening song in Franz Schubert's song cycle Die schöne Müllerin, an example of a strophic song. Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. [1]