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The Roots of Sepultura is a double-disc album by Sepultura, released in November 1996. The second disc contains a collection of unreleased tracks, B-sides, alternate mixes, and live recordings. [43] This release differs from Roots and the 2005 25th Anniversary Roots album as the B-sides disc has
"Roots Bloody Roots" is a song by Brazilian heavy metal band Sepultura, released in February 1996 as the lead single from their sixth studio album Roots. It is the band's best known song and remains a concert staple, usually being performed on encores .
It is the second single from their 1996 album Roots. The song remains a concert staple to this day. The song remains a concert staple to this day. A music video was filmed for the single which features the band performing beside a mixed martial arts cage, in which various people (including businessmen and tribesmen) are fighting whilst being ...
It was the third and final single from the band's 1996 album Roots. It is also the last Sepultura single to feature founding frontman Max Cavalera. The song is amongst the band's best-known and remains a concert staple to this day. A music video was created for the song using stop-motion animation which explores the themes of the song.
With the new lineup, Sepultura recorded Schizophrenia in 1987. Beneath the Remains, the first album from the band's contract with Roadrunner Records, was released in 1989, followed by Arise in 1991 and Chaos A.D. in 1993. Sepultura's best-selling album Roots, was released in 1996 and debuted at number 27 on the Billboard 200.
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Sepultura (Portuguese: [ˌsepuwˈtuɾɐ], "grave") [4] is a Brazilian heavy metal band formed in Belo Horizonte in 1984 by brothers Max and Igor Cavalera. [5] They were a major force in the groove metal, thrash metal, and death metal genres during the late 1980s and early 1990s, [6] [7] with their later experiments drawing influence from alternative metal, world music, nu metal, [6] hardcore ...
"Territory" is Sepultura's fifth official single, and the second of the three to be taken from the album Chaos A.D., released in 1993. Like most of the band's singles, the song is one of the band's best-known songs and remains a concert staple to this day. The artwork for the single is not easily discernible. It depicts a monument of some sort.