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An underworld where the dead live in shadow was common to beliefs in the ancient Near East. In Biblical Hebrew, it was called tsalmaveth (צַלמָוֶת: lit. "death-shadow", "shadow of death") as an alternate term for Sheol. [3] [4] The Witch of Endor in the First Book of Samuel notably conjures the ghost (owb [5]) of Samuel.
An alternative definition is that the penumbra is the region where some or all of the light source is obscured (i.e., the umbra is a subset of the penumbra). For example, NASA 's Navigation and Ancillary Information Facility defines that a body in the umbra is also within the penumbra.
'darkness, gloom'), [2] or Erebos, is the personification of darkness. In Hesiod's Theogony, he is the offspring of Chaos, and the father of Aether and Hemera (Day) by Nyx (Night); in other Greek cosmogonies, he is the father of Aether, Eros, and Metis, or the first ruler of the gods.
Hades, god of the underworld, whose domain included night and darkness; Hecate, the goddess of boundaries, crossroads, witchcraft, and ghosts, who was commonly associated with the moon; Nyx, goddess and personification of the night; Selene, Titaness goddess and personification of the moon
Kek is the deification of the concept of primordial darkness [1] in the ancient Egyptian Ogdoad cosmogony of Hermopolis. The Ogdoad consisted of four pairs of deities, four male gods paired with their female counterparts. Kek's female counterpart was Kauket.
A shadow person (also known as a shadow figure or black mass) is the perception of shadow as a living species, humanoid figure, sometimes interpreted as the presence of a spirit or other entity by believers in the paranormal or supernatural.
The shadow of a musician cast onto a brick wall Park fence shadow is distorted by an uneven snow surface. Shadows from cumulus clouds thick enough to block sunlight. A shadow is a dark area where light from a light source is blocked by an object. It occupies all of the three-dimensional volume behind an object with light in front of it.
The use of dark subjects dramatically lit by a shaft of light from a single constricted and often unseen source, was a compositional device developed by Ugo da Carpi (c. 1455 – c. 1523), Giovanni Baglione (1566–1643), and Caravaggio (1571–1610), the last of whom was crucial in developing the style of tenebrism, where dramatic chiaroscuro ...