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Thomas Tallis (c. 1505 – 23 November 1585; [n 1] also Tallys or Talles) was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music .
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Why Fum'th In Sight (Psalm 2, tune known as the third mode melody, see also Fantasia on a Theme of Thomas Tallis) O Come In One To Praise The Lord ; E'en Like The Hunted Hind ; Expend, O Lord, My Plaint ; Why Brag'st In Malice High ; God Grant With Grace (Psalm 67, tune known as Tallis' Canon) Ordinal (Veni Creator)
Spem in alium (Latin for "Hope in any other") is a 40-part Renaissance motet by Thomas Tallis, composed in c. 1570 for eight choirs of five voices each. It is considered by some critics to be the greatest piece of English early music. H. B. Collins described it in 1929 as Tallis's "crowning achievement", along with his Lamentations. [1]
Tallis's settings happen to use successive verses, but the pieces are in fact independent even though performers generally sing both settings together. Composers have been free to use whatever verses they wish, since the liturgical role of the text is somewhat loose; this accounts for the wide variety of texts that appear in these pieces.
Thomas Tallis, a prominent musician of the Chapel Royal at the time, was among the first to write sacred music in English. [7] "If Ye Love Me" is a setting for an a cappella choir of four voice parts, and it is a noted example of this Reformation compositional style, essentially homophonic [citation needed] but with some elaboration and imitation.
The piece is structured with an introduction, opening statement of the themes (Tallis’ original hymn melody broken up into its four constituent phrases and interspersed with a “swaying chord” motif), four episodes (exploring different variations of those themes and different voicings across the three ensembles), and then a restatement of ...
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