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  2. Piano Concerto No. 5 (Beethoven) - Wikipedia

    en.wikipedia.org/wiki/Piano_Concerto_No._5...

    The Piano Concerto No. 5 in E-flat major, Op. 73, known as the Emperor Concerto in English-speaking countries, is a piano concerto composed by Ludwig van Beethoven. Beethoven composed the concerto in 1809 under salary in Vienna, and he dedicated it to Archduke Rudolf , who was his patron, friend, and pupil.

  3. File:IMSLP103834-PMLP14377-Für Elise, Beethoven-WoO.059, 1867.pdf

    en.wikipedia.org/wiki/File:IMSLP103834-PMLP14377...

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  4. File:IMSLP11471-Fur Elise, Beethoven, WoO59.pdf - Wikipedia

    en.wikipedia.org/wiki/File:IMSLP11471-Fur_Elise...

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  5. File:IMSLP51818-PMLP14377-Beethoven Werke Breitkopf Serie 25 ...

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  6. Piano Concerto No. 5 - Wikipedia

    en.wikipedia.org/wiki/Piano_Concerto_No._5

    Piano Concerto No. 5 refers to the fifth piano concerto written by one of a number of composers: Piano Concerto No. 5 (Bach) in F minor, ( BWV 1056 ) Piano Concerto No. 5 (Beethoven) in E-flat major, Emperor

  7. Concerto No. 5 - Wikipedia

    en.wikipedia.org/wiki/Concerto_No._5

    Concerto No. 5 may refer to: Piano Concerto No. 5 (disambiguation) Piano Concerto No. 5 (Beethoven) in E-flat major, Emperor; Piano Concerto No. 5 (Field) in C major, L'incendie par l'orage; Piano Concerto No. 5 (Herz) in F minor; Piano Concerto No. 5 (Litolff) in C minor; Piano Concerto No. 5 (Moscheles) in C major; Piano Concerto No. 5 ...

  8. 32 Variations in C minor (Beethoven) - Wikipedia

    en.wikipedia.org/wiki/32_Variations_in_C_minor...

    The variations have been called "Beethoven’s most overt pianistic homage to the Baroque." [ 2 ] The variations differ in character, technical difficulty and dynamics. Pianist Yue Chu points out that the key of C minor indicates that "Beethoven was serious when composing this work," despite his apparent misgivings later.

  9. Piano Concerto No. 3 (Beethoven) - Wikipedia

    en.wikipedia.org/wiki/Piano_Concerto_No._3...

    Beethoven's Piano Concerto No. 3 in C minor, Op. 37 is always thought to have been composed in 1800, although the year of its composition has been questioned by some contemporary musicologists. It was first performed on 5 April 1803, with the composer as soloist. [ 1 ]