Search results
Results from the WOW.Com Content Network
Regular Show is an American animated sitcom created by J. G. Quintel for Cartoon Network that aired from September 6, 2010, to January 16, 2017. The series revolves around the daily lives of two 23-year-old friends, Mordecai (a blue jay), and Rigby (a raccoon).
In "A Regular Epic Final Battle", it is revealed that his real name is Mega Kranus. Pops also realizes that the best way to defeat Malum Kranus is with kindness. Pops gives Malum Kranus a hug and the two fly into the sun, killing them both in the process, and the universe is saved.
The Bill Dana Show ("Jose's Theme") – Earle Hagen; Billy ("You Could Be The Only One") – Ray Kennedy; Billy (1992) ("I've Told Every Little Star") – Sonny Rollins; The Bing Crosby Show "There's More to Life Than Just a Living" (opening theme) and "It All Adds Up to Love" (closing theme) by Bing Crosby; The Bionic Woman – Jerry Fielding
Regular Show (known as Regular Show in Space during its eighth season) [3] is an American animated sitcom created by J. G. Quintel for Cartoon Network. It ran from September 6, 2010, to January 16, 2017, over the course of eight seasons and 244 episodes .
The theme song perfectly captures the essence of this show and can easily bring a smile to any kid’s face (or adult, for that matter). Watch on Prime Video 44.
The natives show the park crew ancient tapestries of the previous battles between Pops and Anti-Pops, which detail prior incarnations of the park crew fighting alongside Pops. Knowing that all the prior battles have ended in a stalemate (resulting in the universe resetting), Mordecai comes up with setting traps for Anti-Pops to give Pops an ...
The season later progresses to being narrative-driven once the crew ends up confronting Pops’s brother Anti-Pops, a cataclysmic being, forcing them to uncover the truth behind Pops’s past. The series finale included a reference to Quintel's original short “The Naive Man from Lolliland,” in which Pops's original design is created.
As his career reaches literal new heights with the Hoover Dam concert film 'State Line,' the icon reflects on the album that made him the biggest star to emerge from the first wave of U.K. punk.