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English: Photograph by Henry Ossawa Tanner used as a photo study for an early version of his painting, The Banjo Lesson.In the book Henry Ossawa Tanner: Modern Spirit edited by Anna O. Marley, the picture is identified as being in the collection of Jacques Tanner, Le Douhet, France.
Henry Ossawa Tanner, The Banjo Lesson, 1893, Hampton University Museum. Gift to museum by Robert C. Ogden. [1] The Banjo Lesson is an 1893 oil painting by African-American artist Henry Ossawa Tanner. It depicts two African-Americans in a humble domestic setting: an old black man is teaching a young boy – possibly his grandson – to play the ...
Two styles of mandolin-banjo, showing a large and small head, with a full size, four-string banjo (bottom). L-R - Banjo-mandolin, standard mandolin, 3-course mandolin, Tenor mandola. The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [1]
Her art is explanatory, metalinguistic function, speaks for itself, so that the public can grasp the meaning of the works and appreciate it. She is inspired by nature, the people who surround her, past and present experiences and the works of other artists, especially of the Renaissance masters.
The American Banjo Museum in Oklahoma City is dedicated to the history of the banjo. The museum's exhibits document the rise of the banjo from its arrival in North America via the Atlantic slave trade to modern times. [4] The museum was founded in 1988 in Guthrie, Oklahoma, by Jack Canine and moved to Oklahoma City in 2009. [2]
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Samuel Swaim Stewart (January 8, 1855—April 6, 1898), also known as S. S. Stewart, was a musician, composer, publisher, and manufacturer of banjos. [3] He owned the S. S. Stewart Banjo Company, which was one of the largest banjo manufacturers in the 1890s, manufacturing tens-of-thousands of banjos annually. [4]
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