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Robert K. Bishop (1945–1991) was a bondage artist, author, photographer and bondage rigger best known for his images of restrained and gagged women published by the House of Milan, for which he also worked as production manager. [1] [2] Robert Bishop was born in Michigan, US in 1945. [3] [4] He studied art at Michigan Art School. [5]
A fetish artist is a sculptor, illustrator, or painter who makes fetish art: art related to sexual fetishism and fetishistic acts. Fetish artists, 1930s–1990s
Sonia Romero was born in 1980 in Los Angeles, California. [2] Her parents are artists, Nancy (née Wyle) and Frank Romero, and she is the granddaughter of Frank S. Wyle and Edith R. Wyle, founders of the Craft and Folk Art Museum and Wyle Laboratories.
His art has earned praise from Oniroku Dan, Shūji Terayama, and Madonna, [5] [6] and favorable comparisons to works by Robert Crumb. [ 7 ] [ 8 ] His artwork typically features women with large breasts, hips, legs, and buttocks dominating and humiliating smaller men, typically through facesitting or other forms of sexualized smothering .
Bertha "Betty" Danko (September 19, 1903 – February 3, 1979) was an American stuntwoman and stunt double.She doubled for many leading actresses of the 1930s and 1940s, but is best known for having doubled for Margaret Hamilton as the Wicked Witch of the West in the 1939 film The Wizard of Oz.
Eric Stanton (born Ernest Stanzoni Jr.; [1] September 30, 1926 – March 17, 1999) was an American underground cartoonist and fetish art pioneer. [2] [3]While Stanton began his career as a bondage fantasy artist for Irving Klaw, the majority of his later work depicted gender role reversal and proto-feminist female dominance scenarios. [4]
Vaughn's father was an alcoholic; [2] he started drawing as a way of escaping a less-than-happy childhood. [8] Bodē's parents divorced when he was around ten years old, and he was sent to live with an uncle near Washington, D.C. [ 2 ]
Art and the Feminist Revolution was an exhibition of international women's art presented at the Museum of Contemporary Art, Los Angeles from March 4–July 16, 2007. [1] It later traveled to the National Museum of Women in the Arts (September 21--December 16, 2007) and the PS1 Contemporary Art Center, where it was on view February 17–May 12 ...