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"Don't Look Back" is a song by American rock band Boston, written by main songwriter, guitarist and bandleader Tom Scholz. It was released as the title track and first single from their second studio album, Don't Look Back (1978). It reached #4 on the Billboard Hot 100, making it one of the band's biggest hits. [2] [3]
"Don't Look Back", "A Man I'll Never Be" and "Feelin' Satisfied" were all released as singles, reaching No. 4, 31 and 46 respectively on the Billboard Hot 100. [7]"The Journey" is a short instrumental track that links the opening title track and the third track, "It's Easy".
Don't Look Back (Harold Vick album), 1974; Don't Look Back (John Lee Hooker album), or the title song (see below), 1997; Don't Look Back (Nat Adderley album), 1976; Don't Look Back (Natalie Cole album), 1980; Don't Look Back – The Very Best of The Korgis, 2003; Don't Look Back, an album by Al Green, 1993; Don't Look Back, an album by Anelia, 2004
In December 1996, Melody Maker ranked "Don't Look Back in Anger" number 31 in their list of "Singles of the Year". [21] In a 2006 readers' poll conducted by Q magazine, it was voted the 20th-best song of all time. [22] In May 2007, NME magazine placed "Don't Look Back in Anger" at No. 14 in its list of the "50 Greatest Indie Anthems Ever". [23]
Director D.A. Pennebaker's iconic "Don't Look Back," a 1967 documentary on Bob Dylan, is coming to Columbia's Ragtag Cinema this weekend.
"Don't Look Back" is a 1965 song recorded by The Temptations for the Gordy label. The flip side to their Top 20 hit " My Baby ", "Don't Look Back" broke out and became a hit among the R&B audience on its own, reaching #14 on the R&B charts.
The answer, of course, is raucous anthems such as “Live Forever,” “Wonderwall,” “Don’t Look Back in Anger” and “Champagne Supernova,” which have kept Oasis very much alive in the ...
Dont Look Back is a 1967 American documentary film directed by D. A. Pennebaker that covers Bob Dylan's 1965 concert tour in England.. In 1998, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being deemed "culturally, historically, or aesthetically significant".