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The Castle of Otranto (1764) is regarded as the first Gothic novel. The aesthetics of the book have shaped modern-day gothic books, films, art, music and the goth subculture. [28] The first work to call itself "Gothic" was Horace Walpole's The Castle of Otranto (1764). [1]
The title of the Getica as it appears in a 9th-century manuscript of Lorsch Abbey now in the Vatican Library. De origine actibusque Getarum (The Origin and Deeds of the Getae [n 1]), [1] [2] [3] commonly abbreviated Getica, [4] written in Late Latin by Jordanes in or shortly after 551 AD, [5] [6] claims to be a summary of a voluminous account by Cassiodorus of the origin and history of the ...
There were several origin stories of the Gothic peoples recorded by Latin and Greek authors in late antiquity (roughly 3rd–8th centuries AD), and these are relevant not only to the study of literature, but also to attempts to reconstruct the early history of the Goths, and other peoples mentioned in these stories.
A crucial source on Gothic history is the Getica of the 6th-century historian Jordanes, who may have been of Gothic descent. [31] [32] Jordanes claims to have based the Getica on an earlier lost work by Cassiodorus, but also cites material from fifteen other classical sources, including an otherwise unknown writer, Ablabius.
Wolfram suspected the Gothic language to have originated among the Vandalic peoples. That the Goths were a ruling group within a mixed region is widely accepted. However, as part of his argumentation that they originated with the migration of large unmixed groups, Heather also proposed that the Goths continued to be a relatively exclusive group ...
The eighteenth-century Gothic novel is a genre of Gothic fiction published between 1764 and roughly 1820, which had the greatest period of popularity in the 1790s. These works originated the term "Gothic" to refer to stories which evoked the sentimental and supernatural qualities of medieval romance with the new genre of the novel .
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Stéphanie Félicité, comtesse de Genlis, The True and Affecting History of the Duchess of C****, Who was Confined by Her Husband in a Dismal Dungeon (1799) Carl Grosse, Der Genius (1796) (also translated by Peter Will in an abridged version as Horrid Mysteries) Walter de la Mare, The Return (1910) Friedrich de la Motte Fouqué, Undine (1811)
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