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11. “The simple lack of her is more to me than others’ presence.” —George Thomas 12. “I loved her against reason, against promise, against peace, against hope, against happiness, against ...
“I am grateful to be a woman. I must have done something great in another life.” ... Yet it is only love which sets us free.” ... 29 photos that capture the golden age of air travel (1950s ...
The Best Women’s Erotica of the Year, Volume 4, edited by Rachel Kramer Bussel Couples , by John Updike Aqua Erotica: 18 Erotic Stories for a Steamy Bath , by Mary Anne Mohanraj
Sexton later paid homage to her friendship with Plath in the 1963 poem "Sylvia's Death". Her first volume of poetry, To Bedlam and Part Way Back , was published in 1960, and included the poem " Her Kind ", which uses the persecution of witches as an analogy for the oppression of women in a patriarchal society.
CIL 4.5296 (or CLE 950) [a] is a poem found graffitied on the wall of a hallway in Pompeii.Discovered in 1888, it is one of the longest and most elaborate surviving graffiti texts from the town, and may be the only known love poem from one woman to another from the Latin world.
The "Type" column is color-coded, with a green font indicating poems for or about friends, a magenta font marking his famous poems about his Lesbia, and a red font indicating invective poems. The "Addressee(s)" column cites the person to whom Catullus addresses the poem, which ranges from friends, enemies, targets of political satire, and even ...
The collection comprises twenty love poems, followed by a final poem titled The Song of Despair. Except for the final poem, the individual poems in the collection are untitled. Although the poems draw inspiration from Neruda's real-life love experiences as a young man, the book is not solely dedicated to a single lover.
A prodigy as a child, Wheatley was the first black person to publish a book of poems in the American colony, and though her poems are sometimes thought of as expressing "meek submission," she is also what Camille Dungy describes as "a foremother," and a role model for black women poets as "part of the fabric" of American poetry. [21]