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Sons of the East are an Australian indie folk trio formed in 2011 by Nic Johnston, Dan Wallage, and Jack Rollins. [1] To date, they have released one studio album, three EPs, and a number of singles. The trio has performed at Latitude Festival , [ 2 ] SXSW , [ 3 ] Colours of Ostrava , [ 4 ] and Boardmasters Festival , [ 5 ] among other ...
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
An arpeggio for the chord of C major going up two octaves would be the notes (C, E, G, C, E, G, C). In musical notation, a very rapid arpeggiated chord may be written with a wavy vertical line in front of the chord. Typically these are read as to be played from the lowest to highest note, though composers may specify a high to low sequence by ...
Brightest and best of the sons a of the morning; Dawn on our darkness and lend us thine aid; Star of the East, the horizon adorning, Guide where our infant Redeemer is laid. Cold on His cradle the dewdrops are shining; Low lies His head with the beasts of the stall; Angels adore Him in slumber reclining, Maker and Monarch and Savior of all!
Come Ye Sons of Art, Z.323, [a] also known as Ode for Queen Mary's Birthday, is a musical composition by Henry Purcell. It was written in 1694, and is one of a series of odes in honour of the birthday of Queen Mary II of England. [1] The text of the ode is often attributed to Nahum Tate, who was poet laureate at the time.
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Come Away is a 2020 fantasy drama film directed by Brenda Chapman (in her live-action directorial debut), written by Marissa Kate Goodhill, and starring David Oyelowo, Anna Chancellor, Angelina Jolie, Clarke Peters, David Gyasi, with Gugu Mbatha-Raw, Michael Caine, and Derek Jacobi.
Let Us Garlands Bring is a song cycle for baritone and piano composed by Gerald Finzi between 1929 and 1942, and published as his Op. 18. It consists of five settings of songs from plays by William Shakespeare. It was premiered on 12 October 1942 at a National Gallery lunchtime concert in London.