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Historically, these posts would have extended to the ground resulting in a row of posts extending down the centre of the house and dividing it. Although these could be accommodated in the layout of the main house, they were impractical in the earth-floored entrance area—so they were omitted and a special beam structure used instead. [10]
Japanese housing typically has multiple rooms for what in Western housing is the bathroom. Separate rooms for the Japanese toilet, sink, and ofuro (bathing room) are common. Small apartments, however, frequently contain a tiny single bathroom called a unit bath that contains all three fixtures.
' longhouse ') is a type of Japanese rowhouse that was typical during the Edo period (1603–1868). [1] A nagaya was a long housing complex under the same ridge, one or two stories high, divided into small compartments for rent. The well, toilet and waste facilities were shared.
The Jutaku phenomenon rose in the 1990s as Japan's real estate sites grew increasingly smaller, both from the Japanese inheritance system and the island's growing population. [2] [1] According to the architect Kengo Kuma, the first traces of Jutaku appear in the writings of the poet Kamo no Chōmei and the description of his own small house. [3]
Since the 19th century, however, Japan has incorporated much of Western, modern, and post-modern architecture into construction and design, and is today a leader in cutting-edge architectural design and technology. The earliest Japanese architecture was seen in prehistoric times in simple pit-houses and stores adapted to the needs of a hunter ...
The typical Kyoto machiya is a long wooden home with narrow street frontage, stretching deep into the city block and often containing one or more small courtyard gardens, known as tsuboniwa. Machiya incorporate earthen walls and baked tile roofs, and are typically one, one and a half or two stories high, occasionally stretching to three stories ...
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.
These were as small as one tsubo – roughly 3.3 square metres (36 sq ft). [ 5 ] During the Edo period , merchants began building small gardens in the space between their shops – which faced the street – and their residences, located behind the shop.