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Shoin-zukuri (Japanese: 書院造, 'study room architecture') is a style of Japanese architecture developed in the Muromachi, Azuchi–Momoyama and Edo periods that forms the basis of today's traditional-style Japanese houses.
Conder taught both technical subjects and practice including design theory, architectural history, drawing, technical draftsmanship. [15] Most graduates played essential roles in the development of modern Japan's architecture, including Tatsuno Kingo, Katayama Tōkuma, Sone Tatsuzō and Satachi Shichijirō.
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.
The simplicity of Japanese dwellings contrasted the oft-esteemed excessive decoration of the West. The influence of Japanese design was thus not so much that it was directly copied but rather, "the west discovered the quality of space in traditional Japanese architecture through a filter of western architectural values". [96]
Unlike other forms of Japanese architecture (such as those of the sukiya (数寄屋) style), it is the structure rather than the plan that is of primary importance to the minka. [3] Minka are divided up with primary posts that form the basic framework and bear the structural load of the building; secondary posts are arranged to suit the ...
Diagram showing square tiles, on the diagonal, nailed at all four corners and grouted in mounds over the joins and nails. Namako wall or Namako-kabe (sometimes misspelled as Nameko) is a Japanese wall design widely used for vernacular houses, particularly on fireproof storehouses by the latter half of the Edo period. [1]
Satoko Shinohara (born September 3, 1958) is a Japanese architect, architectural educator, and architectural researcher. [1] She became the president of Japan Women's University in 2020. She presides over Spatial Design Studio and is a published author and editor. [ 2 ]
During the 1920s and 1930s the last buildings with architectural designs drawing from artistic historicism were constructed. This was due to a decline in the strict adherence to the design rules that defined classic historicism in architecture, and gave way to an eclectic architectural style which included aspects of Frank Lloyd Wright, Modernism and Expressionist architecture.