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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Chevy Van (song) " Chevy Van " is a song by American singer and songwriter Sammy Johns, written and sung by Johns. The song was originally released in 1973 by GRC Records on Johns debut album, which was also released in 1973. The instrumental backing was played by Los Angeles -based session musicians from the Wrecking Crew.
In typography, an asterism, ⁂, is a typographic symbol consisting of three asterisks placed in a triangle, which is used for a variety of purposes. The name originates from the astronomical term for a group of stars. [1] The asterism was originally used as a type of dinkus in typography, though increasingly rarely. [2]
The asterisk (/ ˈ æ s t ər ɪ s k / *), from Late Latin asteriscus, from Ancient Greek ἀστερίσκος, asteriskos, "little star", [1] [2] is a typographical symbol. It is so called because it resembles a conventional image of a heraldic star .
In typography, the pilcrow (¶) is a glyph used to identify a paragraph. In editorial production the pilcrow typographic character may also be known as the paragraph mark, the paragraph sign, the paragraph symbol, the paraph, and the blind P. [1] In writing and editorial practice, authors and editors use the pilcrow glyph to indicate the start ...
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The band's next single, "Asterisk", was used as the first opening theme to the anime Bleach and went straight to No. 1 on the charts and was able to stay in the top 20 for 22 weeks. Because it was released in late 2005, it was counted as a 2005 album; often album sales for albums released late in the year are counted for next year's charts.
College rock originated less as a genre term and more as a signal of the medium, college radio, by which college rock acts were often heard. As a result, the genre featured a high degree of diversity and eclecticism, meaning that "on college radio ... screaming noise, retro country, avant-garde electronics, and power pop could coexist, linked by cheap-sounding singles recorded by local bands."