Search results
Results from the WOW.Com Content Network
20th Century Fox $78 million $179.3 million Once Upon a Time in Mexico: Robert Rodriguez: Columbia Pictures Dimension Films $28 million $98.1 million Master and Commander: The Far Side of the World: Peter Weir: 20th Century Fox Universal Pictures $150 million $212 million Timeline: Richard Donner: Paramount Pictures $80 million $34 million ...
By late 1930, however, most of the planned widescreen movies were shelved as studios began to feel the effects of The Great Depression and were forced to economize. In 1953, 20th Century Fox returned to the concept and began using the CinemaScope process to make widescreen movies, such as The Robe and How to Marry a Millionaire. Widescreen grew ...
Carmen Miranda as Dorita in The Gang's All Here.In 1946, she was the highest-paid actress in the United States. [15] Alice Faye as Baroness Cecilia Duarte, Don Ameche as Larry Martin and Baron Manuel Duarte, and Carmen Miranda as Carmen in That Night in Rio, produced by Fox in 1941 The 20th Century-Fox logo depicted in a 1939 advertisement in Boxoffice From the 1952 film Viva Zapata!
20th Century Fox (Color Systems Technology [4]) [438] 1993: 20th Century Fox (American Film Technologies) [citation needed] 2006: 20th Century Fox (Legend Films) [citation needed] Miss Annie Rooney: 1942: 1988: Color Systems Technology [439] Missile to the Moon: 1958: 2007: Legend Films [440] The Mask of Fu Manchu: 1932: 1992: Turner ...
List of 20th Century Fox films (2000–2020) External links. 20th Century Studios This page was last edited on 21 January 2025, at 04:16 (UTC). Text is available ...
20th Century Fox Home Entertainment has released all five seasons of In Living Color on DVD in Region 1. Due to music licensing issues, some sketches have been edited to remove any and all mention of licensed songs, from characters waxing lyrical to entire performances (including the music video parodies and some of the Fly Girl dancing ...
CinemaScope 55 was a large-format version of CinemaScope introduced by Twentieth Century Fox in 1955, which used a film width of 55.625 mm. [9] Fox had introduced the original 35 mm version of CinemaScope in 1953 and it had proved to be commercially successful.
Some studios sought to compensate for these effects by shooting color films with a full aperture gate (rather than the academy aperture) and then reducing the image in Technicolor's optical printer. This process is a predecessor of today's Super 35 format, which also uses a 1.85:1 ratio but one-third more frame area than does a standard 1.85:1 ...