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A crest is a component of a heraldic display, consisting of the device borne on top of the helm. Originating in the decorative sculptures worn by knights in tournaments and, to a lesser extent, battles, crests became solely pictorial after the 16th century (the era referred to by heraldists as that of "paper heraldry").
A coat of arms is a heraldic visual design [1] on an escutcheon (i.e., shield), surcoat, or tabard (the last two being outer garments). The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto.
Heraldry is a discipline relating to the design, display and study of armorial bearings (known as armory), as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. [1] [2] Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement.
When multiple crests need to be depicted, the convention in English heraldry is to draw the crests above a single helmet, each being separated from it, while in German heraldry, where multiple crests appear frequently after the 16th century, each crest is always treated as inseparable from its own helmet and turned in agreement with the helmet. [8]
Heraldry developed in the High Middle Ages based on earlier traditions of visual identification by means of seals, field signs, emblems used on coins, etc. Notably, lions that would subsequently appear in 12th-century coats of arms of European nobility have pre-figurations in the animal style of ancient art (specifically the style of Scythian art as it developed from c. the 7th century BC).
The earliest clear attestation is found in Edmondson's Complete Body of Heraldry of 1780. [4] The derivation of the term is unclear. It may have originated in the form "ordinary book" or "book of ordinaries", meaning a collection of (geometrical) ordinaries and subordinaries, the simple figures and shapes that form the basis of many coats of arms.
The boar's head is a common charge, and in English heraldry is traditionally shown attached to its neck. In Scottish and Welsh heraldry, however, it terminated behind the ears. In the first case, the boar's head is described as being couped or erased at the neck, while in the latter it is couped or erased close. [4]
The German heraldic tradition is noted for its scant use of heraldic furs, multiple crests, inseparability of the crest, and repetition of charges in the shield and the crest. Mullets have six points (rather than five as in Gallo-British heraldry), and beasts may be colored with patterns , (barry, bendy, paly, chequy, etc. ).