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A tone control circuit is an electronic circuit that consists of a network of filters which modify the signal before it is fed to speakers, headphones or recording devices by way of an amplifier. Tone controls are found on many sound systems: radios , portable music players , boomboxes , public address systems , and musical instrument amplifiers .
Two control knobs for a heating/cooling system. The left knob controls the temperature while the right controls the fan speed. A control knob is a rotary device used to provide manual input adjustments to a mechanical/electrical system when grasped and turned by a human operator, so that differing extent of knob rotation corresponds to different desired input.
The front panel may also have a headphone jack, USB port, or another port for making connections. The smallest, simplest piano modules may have only a volume knob and a knob to select different piano sounds. The most complex synth modules may have a large number of knobs, buttons, and faders to control oscillators, filters, and amplitude settings.
A recording engineer may use an equalizer to make some high-pitches in a vocal part louder while making low-pitches in a drum part quieter. [ 1 ] [ 2 ] Equalization is commonly used to increase the depth of a mix, creating the impression that some sounds in a mono or stereo mix are farther away or closer than others.
Volume control can refer to: Volume controlled continuous mandatory ventilation; Potentiometer, a feature on audio equipment for adjusting the sound level
For loudness compensation to work correctly the playback system must also accurately assume what volume level was used in mastering. For movie soundtracks this reference volume level is an industry standard [ 4 ] and can be used by manufacturers to provide a loudness feature that works with a reasonable degree of accuracy.
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.
The master control section on a large live venue or sound recording mixer typically has sub-group faders, master faders, master auxiliary mixing bus level controls and auxiliary return level controls. On most mixers, the master control is a fader. However, on some small mixers, rotary knobs are used instead to save space (and cost).
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