Search results
Results from the WOW.Com Content Network
(28). According to Formalist critics, this action of creating an emotion through external factors and evidence linked together and thus forming an objective correlative should produce an author's detachment from the depicted character and unite the emotion of the literary work. The "occasion" of Eugenio Montale is a further form of correlative ...
The objective correlative concept that Eliot popularized in this essay refers to the concept that the only way to express an emotion through art is to find "a set of objects, a situation, [or] a chain of events" [2] that will, when read or performed, evoke a specific sensory experience in the audience.
Eliot targeted Hamlet's disgust with his mother as lacking an "objective correlative"; viz., his feelings were excessive in the context of the play. Questions about Gertrude and other minor characters were later taken underwing by the feminist criticism movement, as criticism focused more and more on questions of gender and political import.
Topics include Eliot's opinions of many literary works and authors, including William Shakespeare's play Hamlet, and the poets Dante Alighieri and William Blake. [ 1 ] One of his most important prose works, " Tradition and the Individual Talent ", which was originally published in two parts in The Egoist , is a part of The Sacred Wood .
In "Hamlet and His Problems" Eliot presents the phrase "objective correlative." The theory is that the expression of emotion in art can be achieved by a specific, and almost formulaic, prescription of a set of objects, including events and situations. A particular emotion is created by presenting its correlated objective sign.
That's really kind of what the objective is, I think." Read the original article on Business Insider. Show comments. Advertisement. Advertisement. In Other News. Entertainment. Entertainment.
The depiction of Jews in some of Eliot's poems has led several critics to accuse him of antisemitism, most forcefully Anthony Julius in his book T. S. Eliot, Anti-Semitism, and Literary Form (1996). [ 110 ] [ 111 ] In " Gerontion ", Eliot writes, in the voice of the poem's elderly narrator, "And the jew squats on the window sill, the owner [of ...
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.