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Walter Tunis review: All Billy Strings’ credentials were displayed in abundance, led by a scholarly command not just of tradition, but also of the advances forged by the bluegrass’ stylistic ...
The International Bluegrass Music Association, or IBMA, is a trade association to promote bluegrass music. Formed in 1985, IBMA established its first headquarters in Owensboro, Kentucky . In 1988 they announced plans to create the International Bluegrass Music Museum as a joint venture with RiverPark Center in Owensboro.
The Minnesota Bluegrass and Old-Time Music Association (MBOTMA) is a non-profit music organization based out of the U.S. state of Minnesota, founded in 1975. Its mission is to preserve and promote Bluegrass music and Old-Time music in and around Minnesota. The organization presents four annual festivals: Winter Bluegrass Weekend, Homegrown ...
The song was named for Cumberland Gap, a narrow pass through the Cumberland Mountains, which was explored by Daniel Boone in the 1770s, as he blazed the Wilderness Road.In recognition of this heritage, the town of Cumberland Gap, Tennessee, hosts the monthly "Cumberland Mountain Music Show", with live gospel, bluegrass, and country music.
Through the sounds of bluegrass, set against a backdrop of the American South in the early 20th century “Bright Star” is a story of love, redemption and finding oneself.
Each band on this list either has published sources — such as a news reports, magazine articles, or books — verifying it is a performing or recording bluegrass band and meeting Wikipedia's notability criteria for bands, or a Wikipedia article confirming its notability. For individual musicians, see the List of bluegrass musicians.
Scott was awarded Banjo Player of the Year in 1996 by the International Bluegrass Music Association (co-winner with Sammy Shelor), and 1998 Banjo Player of the Year by the Bluegrass Now Magazine Fan's Choice Awards. In 2017, Vestal was awarded the Steve Martin Prize for Excellence in Banjo and Bluegrass. [23]
Few banjo players are as innovative or stylistically diverse as is "Butch" Robins. He was one of the longest-tenured banjoists for Bill Monroe and The Blue Grass Boys, and bassist for the New Grass Revival, earning him the distinction of being "the one and only New Grass/Blue Grass Boy."