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Pound photographed in 1913 by Alvin Langdon Coburn. Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American poet and critic, a major figure in the early modernist poetry movement, and a collaborator in Fascist Italy and the Salò Republic during World War II.
But, while this may represent the origin of the term's usage in modern English, the word "logopoeia" itself was not coined by Pound; it already existed in classical Greek. [ 3 ] Logopoeia is the most recent kind of poetry and does not translate well, according to Pound [ citation needed ] , though he also claimed it was abundant in the poetry ...
Ripostes of Ezra Pound is a collection of 25 poems by the American poet Ezra Pound, submitted to Swift and Co. in London in February 1912, and published by them in October that year. [1] It was published in the United States in July 1913 by Small, Maynard and Co of Boston.
To accompany the exhibition, on 19 October 1985, the Tate Gallery held an Ezra Pound Symposium to examine the connections between Ezra Pound and the visual arts. The speakers were Ian Bell, Judy Collins, Paul Edwards, Patricia Hutchins, Lionel Kelly, Anthony Ozturk, Alan Robinson, Mike Weaver, Clive Wilmer and Harriet Zinnes.
Discretions, also published as Ezra Pound, Father and Teacher: Discretions, is a 1971 memoir of Mary de Rachewiltz, an Italian-American translator and poet. It is about Rachewiltz's childhood with a foster family in the Italian Tyrol and about her father, the American poet Ezra Pound .
In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms, which included a habitually high temperature, fatigue, insomnia, migraines, and colitis. [34] This, coupled with apparent mental instability, meant that she was often sent away by Eliot and her doctors for extended periods of time in the hope of improving her health.
Hugh Selwyn Mauberley addresses Pound's alleged failure as a poet. F. R. Leavis considered it "quintessential autobiography." [2]Speaking of himself in the third person, Pound criticises his earlier works as attempts to "wring lilies from the acorn", that is to pursue aesthetic goals and art for art's sake in a rough setting, America, which he calls "a half-savage country".
Cathay (1915) is a collection of classical Chinese poetry translated into English by modernist poet Ezra Pound based on Ernest Fenollosa's notes that came into Pound's possession in 1913. At first Pound used the notes to translate Noh plays and then to translate Chinese poetry to English, despite a complete lack of knowledge of the Chinese ...