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Although there had been earlier examples, like Jean-Philippe Rameau's opera Zoroastre (1749), whose librettist Louis de Cahusac was a Freemason, the masonic music of Wolfgang Amadeus Mozart is among the best-known of its kind. Mozart's opera The Magic Flute and his incidental music to Thamos, King of Egypt have masonic connections. [3]
The whole system is transmitted to initiates through the medium of Masonic ritual, which consists of lectures and allegorical plays. [2] Common to all of Freemasonry is the three grade system of Craft or Blue Lodge freemasonry, whose allegory is centred on the building of the Temple of Solomon, and the story of the chief architect, Hiram Abiff. [3]
In 1844, George Oliver wrote that some jurisdictions restrict the definition of a Masonic landmark to be only the "signs, tokens and words" while others include the ceremonies of initiation, passing, and raising of a candidate. Some also include the ornaments, furniture, and jewels of a Lodge, or their characteristic symbols. [5]
The question and answer procedure was the traditional way in which Freemasons were instructed in Masonic ritual and symbolism before printed ritual books became more widely available. [1] Usually, the members of a Masonic Lodge would sit around a table and the Worshipful Master would ask set questions of each member in turn to test their ...
Freemasonry, a fraternal order that uses an analogy to stonemasonry for much of its structure, also makes use of marks. A Freemason who takes the degree of Mark Master Mason will be asked to create his own Mark, as a type of unique signature or identifying badge. Some of these can be quite elaborate.
Over time, a number of different Masonic degree systems have been developed, some of which are still in use, and others which have now ceased to exist. In his 1861 book "Tuileur Général De La Francmaçonnerie Ou Manuel De L'initié", Jean-Marie Ragon lists 52 Masonic Rites and over 1400 degrees. [5]
Square and Compasses sign on the gates of Freemasons' Hall, Bournemouth, England. The Square and Compasses (or, more correctly, a square and a set of compasses joined) is the single most identifiable symbol of Freemasonry. Both the square and compasses are architect's tools and are used in Masonic ritual as emblems to teach symbolic lessons.
The style promoted by the Masonic view was much less virtuosic and unornamented. Mozart's style of composition is often referred to as "humanist" and is in accord with this Masonic view of music. [10] The music of the Freemasons contained musical phrases and forms that held specific semiotic meanings. For example, the Masonic initiation ...
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